Tuesday, December 14, 2010

From my fiction portfolio

I know this isn't really a blog entry. But there have been only two things on my mind lately: the end of the semester and my writing portfolio.

The start of a story...
            On the morning she planned to leave, Lila woke from a dream: the same dream that had been plaguing her for months now—maybe even years, half memory and half a twist of dream world that never occurred. In the dream she was back in Mindy’s childhood bedroom. Mindy and her mom had painted the walls together when Mindy was a little girl. Lila remembered being jealous: her father, a man lost and drowning in his own grief, rarely had a kind word for her, let alone an entire weekend choosing paint colors from a rainbow of paper swatches, moving out furniture, taping trim, and rolling paint over the smooth walls—chatting and singing along to the radio. The room was bubble gum pink, a color that both girls, in their teen years in the dream, both agreed was atrocious. The memory of the dream was real: Mindy, crying and distraught, turned to her for comfort. Lila had been so close to her, their faces nearly touching. Her thumb had gone to Mindy’s cheek, brushing away a tear, the palm resting against Mindy’s peach soft face. They had leaned into each other, the air between them sweet with unspoken desire and candy breath. They had kissed, hesitantly at first but with growing intensity. But in the dream world of impossibility, Mindy’s mother had not come in to interrupt them, yet consciousness usually did. Somehow, waking in the moment did not seem as harsh as the interruption had in real life. Lila could imagine what had followed without the knock on the door, the friendly face wrinkled in concern. She had always wondered what it must have been like to have a guide through those messy teen years as Mindy had. Although Mindy’s mother was kind to Lila, she had never been her mother. In the blue morning hours Lila lay awake staring at the ceiling, Pete’s heavy body creating a gravitational pull toward his side of the bed, his soft breathing filling the room. She thought about the kiss, its warmth and passion, the fact that they had never spoken of it again: just days later Mindy’s family announced their move. She lamented that in her entire life, no kiss had ever compared to her first.
Later as Lila slammed the tailgate on the SUV, the dream was still on her mind.  “Well, that about does it,” she said to no one in particular and even she wasn’t sure whether she was announcing that she had made some unspoken decision or whether she was saying that she was finished packing.
            Her husband stared balefully from the porch. He didn’t approve of this adventure, she knew. Mostly he was sad that she was choosing to be away from him. He’ll be fine, she promised herself. He can take care of himself.
            He shifted his weight like he wanted to walk down the stairs, like he thought there might be something to say, but he stayed where he was, looking mournfully down on the SUV full of packed odds and ends and random camping equipment.
            She had been planning this trip for years—since tenth grade when Mindy had moved with her family, to some distant place that seemed imaginary in Lila’s mind at the time. The two had written letters, called, emailed, kept in touch. There had been weddings for both and heartfelt apologies that neither had had the travel money to attend. Both had married young before they’d had the benefit of bills paid up and pocket money to spare, food in the cupboards and vacation days to spend.
            Lila had been looking at the outline of the Virginia coast on the map for fifteen years and it never seemed any more real to her than it did that day when she and Mindy had sat in the bubble gum pink bedroom crying that they would never forget each other.  They had lain on the twin bed, starring up into the canopy strewn with glow-in-the-dark stars. Lila had felt that her soul was breaking; a part of her was being torn away, never to be returned. She had seen postcards and family photos, picture books and magazine articles. Still, she had no point of reference for the images; they might have been made up places, paintings like the one of the dancing bear she’d sent for the nursery of Mindy’s first born.
            A middle of the night phone call from a broken and sobbing Mindy had made the outline sharpen on the map like a half-remembered dream that snaps suddenly into focus as details are recalled. Lou had died suddenly from a heart attack. Mindy’s son, Jared—once a cherub faced toddler drooling in the photographs and now a sullen eleven year old—had broken her heart further by taking it poorly: the boy had attempted suicide and had to be hospitalized. Mindy needed her: her and only her.
            Lila thought about Lou’s image in the family photos that came a few times a year via email or on cutesy Christmas cards. He’d always seemed too perfect to Lila, too pressed and slick like a male model. His hair seemed plastic; his teeth, too white. She and Pete had laughed at him and called him Pretty Boy and Ken doll. She felt guilty about that now. She felt sorry for Mindy, sorry for her loss, but also sorry that Mindy had never had a more down to earth man in her life. How different he was from her Pete! Pete was…well, Pete.
She’d met him at a local craft fair the year after she’d moved north to Williamstown for the community college the next town over. Only the organizers hadn’t called it a craft fair, instead it was an Artisan Exposition. They’d laughed at that too, calling it pretentious and snooty. She’d laughed a lot with Pete in those days.
            He was a grimy potter, his hands always chalky and his clothes always ruined with clay and glaze. She’d loved him right away, allowed him that very day to run his hands over her body, sculpting it, she’d always thought, ever so gently like one of this vases on the wheel. Throughout her marriage, though there had understandably been rough patches, she’d always felt safe when Pete’s face held a smile, and it almost always did. It unnerved her to see him standing there on the porch wearing such a forlorn expression. His forehead creased, eyes staring at the wet pavement inches in front of her feet. His forearms flexed almost involuntarily. A slight tightening of the skin that, like a ripple in a lake, betrayed the turmoil of his thoughts.
            “Well, uh, be safe,” he finally managed, meeting her gaze.
            “Come on, Pete. I’m coming back,” she promised.
            “I know you plan to. But traveling changes you.” She rolled her eyes at his melodrama, felt her face flush. Hated it when he patronized her, making her, at thirty, feel like a little child. She hated the reminder that he was so much older, and that, besides being twelve years her senior, had lived a richer, fuller life than she had.
            He’d left home after high school, joining the Navy and traveling the world. When he returned, he’d stayed in one place just long enough to realize that college wasn’t for him. Since then, and until he met her, he’d never been still. A year after they married he’d given up traveling and they’d bought a little cabin with some woods around. He’d opened a sleepy little shop with wall to wall shelves, clay dust on the floor, a wheel in the corner, and a kiln out back. Their life and work had been quietly successful. The quiet suited them. But she regretted that she never had the things he’d had. Marrying young meant she’d missed out on life experiences.
She’d been only twenty. Mindy was already married out in the imaginary world where she had disappeared, and little Jared’s birth announcement had lain unopened on the kitchen counter when she brought Pete back to her dark little apartment after the exposition. She’d left it unopened on purpose. She had known to be expecting it, yet its mystery of gold foil lining and tiny blue feet held no appeal for her. She had felt old, worn out. But the potter had touched her in ways that other men—groping teenagers—never could have. He’d made her body sing, her soul bloom like a flower.  She hadn’t expected a great love, hadn’t thought that she might deserve it. Never placed much emphasis on how funny life can be. They had been married within months. He made her feel like the child that she was. But sometimes, like now, their unbalanced experience grated on her.
            She resisted the urge to snap at him. Clearly, he was already worried. Fighting just before she left would only make things harder for him, make her miss him more. Regret for their parting would play over in her mind, chiding her for her selfishness and immaturity. She would see again and again how monstrously she’d acted, each time torturing herself a little more by remembering her behavior as that much worse. She knew that guilt would turn the car around, bringing her back earlier than expected. She didn’t want or need that.
            What she needed was to get away. She wanted to test her wings beneath the wide sky, needed to feel sunshine through the green tint windshield. Needed to be away from an endless winter and his crowding love for a little while. He had suggested that she fly. There was money in the bank account. It was safer, he pointed out, and would cost about the same. Their car was old and not in shape for that kind of drive. But she had insisted that she was too terrified to even consider a plane, even though it was untrue. He had begged her to send a ticket to Mindy, allowing her to travel to their home instead, but she had insisted that Mindy would need help making decisions and arrangements. She had decided to move herself and her little daughter Amelia to a smaller place. In the end she had rented a car for the drive as a compromise. It was a smallish sporty SUV with impressive looking tires and comfortable seats. He had picked the vehicle. He’d insisted that a larger car was safer in the event of a crash. She had allowed him to choose the car, but she resented his need to be involved. Like so many other ways in her life, he wanted to place his own mark on her adventure. She creased her eyebrows, took a deep breath, making her voice even but firm.
            “Look, I know you don’t want me to go, but Mindy really needs me, and I have wanted to do this for a long time. Please tell me you’re going to be okay,” she pleaded.
            He smiled a slow gentle smile that seemed to warm the winter afternoon. Her shoulders relaxed; his posture loosened. “Come up here and kiss an old man goodbye,” he teased her.
            Finally, the two parted. He’d walked her to the car and leaned in the window, saying nothing. Their breath steamed in the dry cold. His stubbled face was so impossibly close, smothering her. She started the car, patted his rough cheek. Their parting was, in the end, silent. Another quick kiss and he slipped away, patting her back window as he walked back toward the house.
            In her rear view mirror, in the image that fixed in her mind, he stands on the steps hand raised. Afterward, whenever she thought of him there, she could never decide if his gesture was meant to bid her goodbye or to beckon her back.  

Friday, December 3, 2010

Two Steps Forward, One Step Back

Well, they say no news is good news: I have never really found that to be true. I have spent a few days not accomplishing much in the way of writing. This is not to say that my "writing life" has been idle...or my hands either. Just to say that I have not produced much--especially in regards to my much lacking fiction section of the portfolio. Here's what I have done: put together several (23) prospective poems for the poetry section of my portfolio (ranging from angsty poems, through nature observations, and even several in poetic forms); asked a trusted reader to read through said selections to help narrow the pieces down to ten;  finished, edited, and printed my entrance essay; printed and filled out my application; ordered two copies of my transcripts from MCLA--not an easy feat, I can tell you, as I loathe bureaucratic bullshit; gotten an email confirming that the funding for this adventure in grad school will, in fact, be in place when the time comes (words fail me to express proper gratitude for this burden lifted); scheduled a visit to campus including a tour and a meeting with both the on-campus coordinator of MFA admissions and the MFA director; given exit exams to my English 100 students (I only have one class's results and they were very disappointing, sadly); and, finally, devastatingly, lost my flashdrive containing my entire life's work including some pieces that are irreplaceable. Sigh. Lesson learned: BACK UP ALL WORK!!! Luckily, I was able to recover 99% of my loss through older versions, a much outdated back up, and old notebooks. I have set a date for myself, a timeline, to have the entire application complete: December 15--incidentally, the very last day of my semester. I had originally said I would have it done by the first of the year; then I decided to move it back to Christmas (a gift to myself); and now I have decided no more playing around. I had a very stern conversation with myself in which I asked the question "Look, do you want this or not? Are you just saying that you do, or do you really?" Finally, the ultimate answer is that I do want it very much, so, like all great ventures, I need to put actual work into it. I was raised by people who believe that there is nothing that cannot be accomplished through hard work and guilt. So that's how I am keeping myself motivated, reminding myself that hard work must actually be done in order to accomplish this goal and guilting myself just enough to keep going. Actually, sickeningly, this blog is part of that guilt: I've laid out a lot of plans here, confessions of my secret desires. And now you are reading it: people who know me. Most of you well enough to actually call me up and say "What the f$@* are you doing: it's December 14, and you haven't finished anything!!!!!" and some of you know me well enough to say that right to my face! That is a lot of people whom I love who will be sorely disappointed in me if I crap out...guilt. Well, maybe it doesn't make that much sense if you don't know me that well...but most of you will understand that perfectly. Sorry to make you accomplices in my own sickening self manipulation, but, hey, it's not as if you have to read my blog.

Tuesday, November 30, 2010

The Acolyte: Kitchen Solace

Today the poem "The Acolyte" by Denise Levertov is on my mind. In the piece she equates writing a poem to baking bread: the hard work, the love of the task, the expectation and wishes for greatness. I have been feeling down today with much on my mind and clouding my thoughts.  Maybe it is the weather, unseasonably warm with all day rain that seeps into the pores--almost eerily spring like. Maybe it is the silence of a good friend looming over me, the feeling of impending loss. (Of course, I am a bit melodramatic, so...) Perhaps it is simply end of the semester stress, my classes winding down to less than a handful now, the monumental stack of essays in my bag weighing on me in a more figurative way. My hopeful students, ready for exams, seem so eager to just be done with it all. I feel that way too: ready for a longer break, but there is something sad, too, in the ending of something so familiar and rhythmic, losing people you've grown to know, perhaps not exactly as friends, but as friendly faces--something intimidating about starting again with a new group.

When I am feeling low, sometimes I bake. Like Levertov at her table, I find something very soothing about the rhythm of the kitchen. I suppose some would say that I am addicted to food: I agree, actually. But there is something there, something about food. It is warmth and comfort, love--not just sustenance. It is (as Levertov writes) "more than bread." Cooking is like a carnival for the senses. Some of the most beautiful sights on Earth are found there. I am speaking not just of the cookies I baked--the deep, rich brown of the melting chocolate, white swirl of sweetened milk, the cookies themselves crevassed with secrets and promises to be shared--but of many foods: one of my favorite synesthetic images is the round plane of a bubbling cheese pizza as it is pulled from a stone oven--the cracked pattern in the brick, the scrape of wooden paddle against the brick, the earthy smell of hot oven and yeasty smell of baked crust, the smell and feel of the fire--as if it is something living, the breath of the oven. (This also explains my three year stint slinging pizza during college.) Smells, obviously--especially I love anything with cinnamon or chocolate, of course. Sounds: if I am silent and patient, the pot hisses and clinks, the liquid bubbles, the oven ticks, the ingredients shift in imperceptible whisper. This is not speech, but there is a pattern here. Perhaps not language, but a comforting and primitive type of song.

I want, as Leverov does, to write poems this way: to create, ingredient by carefully selected ingredient, something that pleases all the senses. Something that speaks of hope and happiness and home and comfort. But, today at least, my soul feels too heavy and dark. So tomorrow I will make it my ambition to write a kitchen poem, to build with my words something that can capture the peace and ease of standing at the barely warm eye stirring and stirring and stirring until chips and butter pieces yield and meld. I'll pay homage to the senses at play in the kitchen, thankful for the sugar rush that raised my spirits enough to make it through the night without being completely miserable, even if a bit melancholy. But for now I think it is time for laying in bed, a cup of tea balanced precariously on one knee while I grade a stack of ever increasing papers until sleep takes me to a place where the sun shines but the wind blows like fall again.




The Acolyte
The large kitchen is almost dark.
Across the plain of even, diffused light,
copper pans on the wall and the window geranium
tend separate campfires.
Herbs dangle their Spanish moss from rafters.
At the table, floury hands
kneading dough, feet planted
steady on flagstones,
a woman ponders the loaves-to-be.
Yeast and flour, water and salt,
have met in the huge bowl.
It’s not
the baked and cooled and cut
bread she’s thinking of,
but the way
the dough rises and has a life of its own,
not the oven she’s thinking of
but the way
the sour smell changes
to fragrance.
She wants to put
a silver rose or a bell of diamonds
into each loaf;
she wants
to bake a curse into one loaf;
into another, the words that break
evil spells and release
transformed heroes into their selves;
she wants to make
bread that is more than bread.

Denise Levertov
 

Sunday, November 28, 2010

Procrastination...and other sovereign countries

The problem with finding reasons for putting off writing is that there really are ALWAYS other things to be doing. Other valid tasks that need accomplished...stacks of papers to be graded, children to be snuggled (as my daughter announces "I looooove hugs and kisses," grinning expectantly), compelling movies to watch, time to be spent with a significant other, dishes to be washed...naps to be taken...on and on. It's never that I don't plan to write; I just plan to write "later": a "later" that never seems to happen unless I (feeling selfish for doing so) make it. Some afternoons after my class day is done, I head to the local library, upstairs to the left and aaaaaaalllll the way tucked in the far back corner where there is a comfortable chair with a table right beside, surrounded by windows on three sides and stacks on the fourth. This has become my favorite place to write. It is like a private tree house with the huge live oaks draped in Spanish moss peeking in at eye level: it is a beautiful place where my childlike inner mind can play with writing again. I love those afternoons, selfishly ferreted away from my loving family, my poor wife dealing with both kids, my daughter aggravating her every second about where I am (she is, at three, in a stage where I, as the “opposite gendered” parent, am very much her favorite…unless of course the dads are around J ). Today, though, there is no time for a library day. And today there is a poem rattling around in my head. So I know that there will be time spent today, head bend over notebook, pen in hand, doing what I am meant to be doing. Poetry has always been that for me, more insistent. Like an itch. It will bug me until I pull myself away from other tasks and take out my notebook. My fiction takes more work...which, incidentally, is why it is always on the back burner...a hundred story ideas always battling for attention like orphaned children. Pages and pages of unfinished fiction march along like army ants in my tight lines of penmanship through the white pages of my notebook. Intimidating blocks of pages filled with ink that call to me, beg for just one minute more...the truth is, I really want to finish them. But they scare me. I'm afraid of them. Literally. I don't really know what I am so afraid of. Will the characters come out of the stories and accuse me for not creating them well. (It makes me think of that Phyllis Wheatley poem about sending her poem "children" half-clothed ragamuffins into a world clearly unprepared to care for them...she wrote that after a volume of her poems was published by some well meaning man in her life without her permission.) Will the ending fall flat? I wouldn't know, would I, since I never seem to get there. I know that I have both in me: the fiction and the poetry. But I never seem able to shut up and produce. I feel unable, not strong enough, to get the task accomplished. Am I hoping that maybe someone else will come along and do it for me? Not possible. And even if it were, I doubt I would be so pleased with the result. So I guess my point is that there are other things in my life besides my writing. And that is, on the one hand, very frustrating. But if these other things didn’t exist…how would I ever get any thinking done?! Growing up, I always imagined that the writer’s life was a lonely place, that to be a writer was to stand apart, isolated from all others—the suffering and aloof observer. But in my adult life I have learned that the idea is only a half truth: I am constantly balancing the razor edge between observing my life and living it. Some days (today), I guess, are for the living.

Saturday, November 27, 2010

One of my inspirations...well, two, I guess...

My son, Rio, born at the end of September is my latest inspiration. Of course, he's also my latest distraction. But sometimes...I just can't help sitting in awe and staring at his precious little toes for hours. And he's recently added the new trick of smiling! He lights up the room. My extremely precocious and awesome almost four year old (!) daughter inspires me too.






There is so much I want to share with them, capture for them. My life, the good and the bad. The world as it is now, the world as it could be. Injustice. Inequality. But also beauty and love and magic. Tonight as we were putting up our family Christmas tree Jayna was a whirling dervish of activity and "helpfulness". I have been extremely ill, and both Nef and I were complaining of headaches before we even started the arduous process. But somehow, watching her dance around the tree, watching his fascinated face as he stared into the lights for the first time amazed with wonderment...it all seems worth it. This frantic beautiful dance of life, the wonder and newness of childhood. I think, yeah, there's inspiration here.



Who are you?

I am a writer. I have known this for a very long time, known it down in the very core of my soul where my most secret desires lie, but I think I am just starting to understand what it means to live my life as a writer. It doesn't just mean carrying my writing notebook with me everywhere I go, a practice I started as a teenager and have continued with varying degrees of success throughout my adult life. It doesn't just mean identifying myself as a writer either, wearing the title like a jacket that could be shed at my convenience. It means a myriad of things that inspire both fear and exitement--but, hey, isn't fear always a part of exitement anyway? Fear because I loathe rejection, which is an inevitable part of any writer's life. Also, there's fear that I will fail, but, honestly, that's not a true fear--just a leftover remnant of adolescent insecurities. The excitement comes from finally realizing that I can do something that I really have always wanted to do: I can stop hiding behind the excuse instilled in me by parents who were just trying to help...that old falsehood "I can do anything and still be a writer." No. No, I can't...because I am a writer. And there are certain things that writers, like all professionals I imagine, do day in and day out that make it impossible for me to entertain the notion of being anything else. I finally came to this realization when I took up, somewhat reluctantly, another title that I thought I could never embrace: teacher. Teaching in middle school for several years did not allow me time to reflect on my status as a writer...or to contribute to my own wrtiting much at all. But I can't say that the years were unproductive for the writer in me: I gained practice at facilitating writing in a classroom setting; I met some amazing people who appreciated and nurtured my writing; and I got to work with talented young writers who reminded me how I felt as a teenage writer--so full of potential, flailing to find my own voice, wondering if the gift was just a phase that I would outgrow. Teaching in the college setting, however, has brought me back to center on the fact that I am, in fact and above all else, a writer. And, as such, a writer does one key and important thing: a writer writes. So...I am beginning this blog to keep me honest. I can't promise that I will post every day(although I intend to make myself write everyday), but I am hoping that by creating this blog I will be inspired to post fairly often--projects I am working on, things that inspire me, progress as I being the application process to graduate school. I'm thinking of it as an extension of my writing notebook: the public face of my private thoughts. And I hope that you, my readers, (if I can be so arrogant as to think people will read it) will interact, tell me what you are working on, what is inspiring you...who are you at this point in your journey?